Contradictions and Paradoxes in Revelation 17:9

Check out Contradictions Catalog of Revelation 17:9 for the comprehensive list of verses that contradicts Revelation 17:9. Some key contradictions and paradoxes are described below.

According to John, who wrote the book, these seven heads mean seven mountains where the woman is sitting. People often think the woman stands for a city or place that is important.

Revelation 17:9: And here [is] the mind which hath wisdom. The seven heads are seven mountains, on which the woman sitteth.

Contradiction with Jeremiah 3:17

Jeremiah declares Jerusalem as the throne of the Lord, opposing the description of a different significant location in Revelation.

Jeremiah 3:17: At that time they shall call Jerusalem the throne of the LORD; and all the nations shall be gathered unto it, to the name of the LORD, to Jerusalem: neither shall they walk any more after the imagination of their evil heart. [imagination: or, stubbornness]

Contradiction with John 4:21

Jesus teaches that worship will not be confined to any specific mountain or city, which could contradict the idea of identifying a specific city.

John 4:21: Jesus saith unto her, Woman, believe me, the hour cometh, when ye shall neither in this mountain, nor yet at Jerusalem, worship the Father.

Contradiction with Matthew 24:36

Jesus states that no one knows the day or hour of end times, which can contrast with revelation symbolism suggesting more definitive knowledge.

Matthew 24:36: But of that day and hour knoweth no [man], no, not the angels of heaven, but my Father only.

Paradox #1

The contradiction or conflict related to Revelation 17:9 arises from the interpretation of the "seven hills." Throughout history, many have associated these with the city of Rome, known for being built on seven hills. This connection has led to debates and differing interpretations about whether the text is referring to historical Rome, the Roman Empire, or a symbolic representation of another entity. The challenge is in how to accurately align this imagery with historical or future events within the context of the text and varying theological viewpoints.

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